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DTSTART:20250607T150000Z
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SUMMARY:Chris Alveshere\, Jeff Campana\, and Matt Repsher: New Work in Clay
DESCRIPTION:Alveshere\, Campana\, and Repsher are nationally recognized for their work in ceramics. Each of these artists approach the material in innovative ways creating functional and semi- functional work. What these artists have in common are masterfully crafted works with sophisticated use of color and compelling surface treatments. Alveshere' s pots are an investigation of items he finds curious\, feels sentimental to-wards\, or objects he find humor in. His work is made in long\, continuous runs of produc-tion\, altering commonalities of the forms\, while adapting parts\, proportions\, and at-tachments. Forms\, parts\, and clay and glaze colors are curated to be strong and in-ventive. He prefers to work through repetition\, replication\, and multiples. Campana first become known for wheel-thrown pottery that was dissected and reas-sembled\, yielding decorative lines with structural and psychological implications. After a decade working along a fixed process and concept\, he needed a new experience in the studio which resulted in a new way of making molds\, which are systemic in their de-sign and fully modular in use. Repsher's process begins with constructing wheel-thrown vessels then dismantling them through carving a facade of structure that often pierces the wall of the pots. The pot form appears built by layers of arches\, posts\, lintels\, and discs\, all of which are refer-ences to architectural elements that influence him. The architecture of the pots is rein-forced by the surface painted on the form.
X-ALT-DESC;FMTTYPE=text/html:Alveshere\, Campana\, and Repsher are nationally recognized for their work in ceramics. Each of these artists approach the material in innovative ways creating functional and semi- functional work. What these artists have in common are masterfully crafted works with sophisticated use of color and compelling surface treatments. Alveshere&rsquo\; s pots are an investigation of items he finds curious\, feels sentimental to-wards\, or objects he find humor in. His work is made in long\, continuous runs of produc-tion\, altering commonalities of the forms\, while adapting parts\, proportions\, and at-tachments. Forms\, parts\, and clay and glaze colors are curated to be strong and in-ventive. He prefers to work through repetition\, replication\, and multiples. Campana first become known for wheel-thrown pottery that was dissected and reas-sembled\, yielding decorative lines with structural and psychological implications. After a decade working along a fixed process and concept\, he needed a new experience in the studio which resulted in a new way of making molds\, which are systemic in their de-sign and fully modular in use. Repsher&rsquo\;s process begins with constructing wheel-thrown vessels then dismantling them through carving a facade of structure that often pierces the wall of the pots. The pot form appears built by layers of arches\, posts\, lintels\, and discs\, all of which are refer-ences to architectural elements that influence him. The architecture of the pots is rein-forced by the surface painted on the form.
LOCATION:Abel Contemporary Gallery 524 E Main St\, Stoughton\, WI 53589
UID:e.3020.13055
SEQUENCE:3
DTSTAMP:20260501T092539Z
URL:https://www.stoughtonwi.com/events/details/chris-alveshere-jeff-campana-and-matt-repsher-new-work-in-clay-13055
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